The UK museum boom: continuity and change 1960–2019

My first joint-authored academic article has been published. A result of the Mapping Museums project, it serves as an overview of much of the research that the team conducted.

The abstract:

During the late-twentieth century there was a significant increase in the number of museums in the UK. Apart from the polemic heritage debates of the 1980s and 1990s, the boom in museums was not much investigated. Our project “Mapping Museums” collected and analysed data on over 4000 UK museums that were open in the period from 1960 to 2019. Here we present our findings. We show that the number of museums increased from around 1000 to a highpoint of 3360 in 2016, that the sector continuously expanded for 55 years, but that the rate of growth and closure varied depending on the museums’ size, governance, subject matter, and location. Small and medium museums proliferated, as did independent museums; growth in the South of England far out-paced that in the North; local history museums multiplied and new subjects came on stream. The museum boom re-shaped the sector.

Read the article here: https://www.tandfonline.com/doi/abs/10.1080/09548963.2023.2227864. It’s behind an academic paywall, so if you want to read it but don’t have access, feel free to contact me.

Life as a research assistant

I work part-time as a research assistant for the Mapping Museums project at Birkbeck. My main job is maintaining the project’s database of over four thousand museums – but what does that involve? I’ve written a short piece about the work of data collection, data checking, and some of the ways in which the long list of museums is still growing. You can read it here.

Closing the Bakelite Museum

The Bakelite Museum opened in 1985 in London, moved to Somerset in the mid 1990s, and closed in 2018 when the lease expired. A new film by Fiona Candlin and the Derek Jarman Lab documents the museum and its process of closing.

Small museums often close leaving very few traces behind them, sometimes as little as a few entries in old guidebooks. But recording them more fully has great historical value. As Fiona writes:

It is important to document micromuseums because they often embody the concerns of specific groups at particular times and in particular places. Understanding what those concerns are is a means of understanding what people cared about. And it is important because micromuseums often construct exhibitions that have no obvious counterparts in major museums. The Bakelite Museum was a case in point because many of the artefacts were organised to create surreal juxtapositions or visual jokes. Tiny plastic living room furniture that was made for a doll’s house, including a television set, was placed on top of a television set, a dentist’s case of plastic false teeth and a clock embedded in a plastic ostrich with bendy legs were placed on a Bakelite coffin to form a memento mori, and wooden shoe-trees surrounded an electric heater evoking images of footwear being kicked off and feet warmed. 

The full feature on the film is on the Derek Jarman Lab’s website.

Mapping Museums

Mapping Museums is a research project at Birkbeck, University of London. Led by Fiona Candlin and Alex Poulovasillis, the aim of the project is to document the UK museum sector 1960–2020.

While working briefly for the project last summer, I wrote short profiles of a small selection of the thousands of UK museums. Some are still open, but many have closed. Some of my favourites are The Douglas Museum, set up by an admirer of Houdini, the Edinburgh Wax Museum, curated by a magician, and the National Butterfly Museum. Was the latter really a museum? Read the article to find out.

You can also see the full list of museum profiles. Many of them are very short, which reflects the frequent lack of information about museums, at least when doing online research.