Mark Liebenrood

Archives: London

Frank Auerbach

It’s just one room, but what a room. Fifty years of work are condensed into what could stand as a mini retrospective of Frank Auerbach’s work. The landscapes are mostly the familiar subjects of Primrose Hill and Camden Town: Mornington … Continue reading

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Malevich

Walking through this engaging retrospective at the Tate is like seeing someone’s purpose come into focus and then slowly dissipate again. A slightly overloaded first room shows Malevich trying out various styles of his time including Impressionism, Fauvism and Symbolism. … Continue reading

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Alex Gene Morrison: Same As It Ever Was

The woods don’t look welcoming. Straying off the path, if you can find one, would probably lead you into trouble. The trees look dead, bare branches in the brownish murk. If we went in, what might we find? A scary … Continue reading

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James Turrell

Artworks increasingly have to compete for our already divided attention. Pause for a moment in any gallery to observe the other visitors and you will see that most media don’t manage to hold us for very long. A painting might … Continue reading

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Ana Mendieta

Ana Mendieta was born in Cuba in 1948 and was sent to the USA by her family when she was only 13. It’s tempting to see that early displacement as a major – perhaps unspoken – theme in her work, … Continue reading

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Rothko/Sugimoto: Dark Paintings and Seascapes

Mark Rothko’s paintings at their best are richly coloured, glowing and with a mysterious depth. Paint handling was at the service of conjuring up this sense of undefined forms floating in a pictorial space – think of the feathered edges … Continue reading

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Central Line Series: Art on the Underground

The London Underground is a busy place. It carries an average of 2.7 million passengers per day, many of them jostling for space as they make their way along crowded corridors, wait on platforms and squeeze into often absurdly crowded … Continue reading

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Craigie Aitchison

Craigie Aitchison died in 2009, and this show is intended as a memorial. The first surprise is that the white entrance at Timothy Taylor has been painted an appropriately intense red. The surprise continues inside, where the normally bright lighting … Continue reading

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Michael Raedecker: volume

The paint is thin, washy. Drips and splatters everywhere. Grey, silver, one work in dark blue. Two in green. Looking at the one in pale pink, I thought of wedding cakes. And then, moving to my right, there they were: … Continue reading

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